[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#cce9f3″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row module_id=\u00a0\u00bbFran\u00c3\u00a7ais\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text module_id=\u00a0\u00bbMoments22FR\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#3063b5″ header_font=\u00a0\u00bb|800|||||||\u00a0\u00bb header_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_text_color=\u00a0\u00bb#3063b5″ header_font_size=\u00a0\u00bb70px\u00a0\u00bb header_line_height=\u00a0\u00bb1.6em\u00a0\u00bb header_2_font=\u00a0\u00bbMontserrat|600|||||||\u00a0\u00bb header_2_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_2_text_color=\u00a0\u00bb#3063b5″ header_2_font_size=\u00a0\u00bb30px\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.4em\u00a0\u00bb header_3_font=\u00a0\u00bb||||||||\u00a0\u00bb header_3_text_align=\u00a0\u00bbcenter\u00a0\u00bb header_3_text_color=\u00a0\u00bb#3063b5″ header_3_font_size=\u00a0\u00bb35px\u00a0\u00bb header_4_font=\u00a0\u00bbMontserrat||||||||\u00a0\u00bb header_4_text_color=\u00a0\u00bb#3063b5″ header_4_line_height=\u00a0\u00bb1.3em\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb header_font_size_tablet=\u00a0\u00bb70px\u00a0\u00bb header_font_size_phone=\u00a0\u00bb45px\u00a0\u00bb header_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb header_2_font_size_tablet=\u00a0\u00bb30px\u00a0\u00bb header_2_font_size_phone=\u00a0\u00bb25px\u00a0\u00bb header_2_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Conservatoire de Musique de Qu\u00c3\u00a9bec, de 1964 \u00c3\u00a0 1968. \u00c3\u2030tudes post-gradu\u00c3\u00a9es \u00c3\u00a0 l\u00e2\u20ac\u2122Instituut voor Sonologie \u00c3\u00a0 Utrecht en 1968\/69. 1969, fondation du Studio de Musique \u00c3\u2030lectronique de la Facult\u00c3\u00a9 de Musique de l’Universit\u00c3\u00a9 Laval. \u00c3\u2030t\u00c3\u00a9 1970, stage en Computer Music au Centre d’Intelligence Artificielle de l’Universit\u00c3\u00a9 Stanford \u00c3\u00a0 Palo Alto en Californie.<\/p>\n
En 1974, fondation du Groupe d’Interpr\u00c3\u00a9tation de Musique \u00c3\u2030lectroacoustique (G.I.M.EL). Concerts au Qu\u00c3\u00a9bec et en Ontario puis deux tourn\u00c3\u00a9es internationales. D\u00e2\u20ac\u2122abord l\u00e2\u20ac\u2122Europe (Belgique \u00e2\u20ac\u201c Allemagne \u00e2\u20ac\u201c Hollande \u00e2\u20ac\u201c France) puis les \u00c3\u2030tats-Unis (Raleigh \u00e2\u20ac\u201d Washington \u00e2\u20ac\u201d New York \u00e2\u20ac\u201d Boston).<\/p>\n
En 1980, au Japon, visite des principaux manufacturiers de synth\u00c3\u00a9tiseurs: Yamaha, Korg et Roland. Puis vice-pr\u00c3\u00a9sident fondateur de Technos. Responsable du design musical du 16 Pi et du Resynth\u00c3\u00a9tiseur Acxel.<\/p>\n
1999 – La Onzi\u00c3\u00a8me Vibration Entendue [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Copyrights: langis.gaulin@videotron.ca NIL PARENT Conservatoire de Musique de Qu\u00c3\u00a9bec, de 1964 \u00c3\u00a0 1968. \u00c3\u2030tudes post-gradu\u00c3\u00a9es \u00c3\u00a0 l\u00e2\u20ac\u2122Instituut voor Sonologie \u00c3\u00a0 Utrecht en 1968\/69. 1969, fondation du Studio de Musique \u00c3\u2030lectronique de la Facult\u00c3\u00a9 de Musique de l’Universit\u00c3\u00a9 Laval. \u00c3\u2030t\u00c3\u00a9 1970, stage en Computer Music au Centre d’Intelligence Artificielle de l’Universit\u00c3\u00a9 Stanford \u00c3\u00a0 Palo Alto en […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-276","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
2001 – V11, le deuxi\u00c3\u00a8me seuil. Sous-titre: Humaine Harmonie.
2015 – Vers le haut. Sous-titre: V11- La vibration apocalyptique.
2020 – Le Sentiment d\u00e2\u20ac\u2122Harmonie
Depuis 2010, design musical du Lusson<\/strong> \u00e2\u20ac\u201d nouvel instrument de musique.<\/p>\n